The short film reflects an amalgamation and collision of diverse lifestyles, concerns, characters with their differential dynamics of life. The cyclical notion along with it’s projection of time through lighting, i.e., day-night-dawn-day provides an imputable structure of the narrative of life. Through deliberate jerky timelapse, the film projects distinguished characters and their mundane activities on the basis of culture, religion (e.g. when a group of Tablig visit to preach) and ideology.
Abid Sarker Shohag, Siam Raihan, Sardar Zahid, Oliur Sun, Shoeb, Fuad, Partha
Gopa Biswas Caesar
A kid finds some super powers inside him so he tries to go back in time to know how he became a super hero.
grandmother always replies to Luka’ s curious guestions, one answer forces the child to catch birds, which will help him to see his mother. All days the boy spends on the roof with a trap, trying to catch a huge number of birds. grandmother react calmly to his desire, she only remarks that birds have mothers and they miss them too. later a group of older boys takes away his trap and only after that realizes the little boy these words. the conflict with the boys finishes after Luka s attempt to get his birds back. this incident changes a lot of thing for the little dreamer, he doesno’ t want to achieve his aim by usign other creatures and releases the birds.